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Searching for the Missed Mystery of Life: Threshold

Original price was: 25,000.00৳ .Current price is: 22,000.00৳ .

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This drawing was created during one of the most transformative periods of my life.

After returning from South Korea, I found myself balancing artistic practice with curatorial work and the growing activities of Porapara Space for Artists. Personally and collectively, it felt as though I was standing at a threshold between different stages of life.

At the same time, I began experimenting with the act of drawing itself.

Thousands of repeated dots and marks were placed by hand over long periods of concentrated work. Through this repetition, I became increasingly interested in how physical action could gradually transform mental awareness.

Across many spiritual traditions, repetitive actions such as prayer, chanting, or ritual movement often lead the mind toward stillness. I became less interested in the words themselves than in the repeated bodily action. While making these drawings, I realised that the creative process could function in a similar way.

For me, the process of making the artwork is often more significant than the completed image. The drawing preserves not only a visual composition, but also the rhythm of sustained attention through which it came into being.

Artist: Abu Naser Robii

Series: Searching for the Missed Mystery of Life

Year: 2009

Medium: Artist-grade Chinese Ink on Acid-Free Paper (Japanese Fine Nib Pen)

Drawing Size (Unframed): 5.5 × 5.5 inches (14 × 14 cm)
Framed Size: 12 × 12 inches (Museum Standard Framing)

Framing Note: The listed dimensions and price refer to the original artwork. Framed dimensions may vary according to museum conservation standards.

Availability: 1 in stock

Searching for the Missed Mystery of Life: Threshold marks an important early stage in Abu Naser Robii’s long-term conceptual exploration of existence, transformation, and human consciousness.

Created in 2009 after returning from an artist residency in South Korea, the drawing emerged during a period of intense personal reflection and professional activity. While simultaneously developing curatorial projects and organising Porapara Space for Artists in Chattogram and Dhaka, the artist found himself navigating profound personal and collective transitions. These experiences gradually evolved into a symbolic visual language expressed through figures, fractured landscapes, birds, voids, and celestial space.

Executed with artist-grade Chinese ink using an ultra-fine Japanese nib pen, the drawing was constructed through thousands of individually placed dots and meticulously repeated marks. The image developed slowly, allowing time itself to become an active material within the work.

Rather than functioning solely as a finished drawing, the work documents a contemplative process in which repetition, concentration, and physical action became inseparable from artistic thought. The drawing exists as both an image and a record of sustained attention.

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